Karen
Christopher

Mary wrote something that made me cry 3 weeks later

The thing is, when it came in, her piece of writing, I was far away in California (looking at the sky) and the October performances at Chelsea Theatre were a distant glowing memory but the problems that were right in front of me were the ones I was focussed on and the life just before was pale or hazy and her writing brought it all clearly back into focus.

This piece by Mary Paterson about Control Signal (duet by Karen Christopher and Sophie Grodin) is revealing the heart of what we were working on and the way Mary has been able to articulate her experience of it hit me like cupid's arrow, a kind of beautiful pain.

Tags: Sophie Grodin, Performance Centre, Falmouth, Mary Paterson, Jemima Yong, duet, Control Signal, Chelsea Theatre

Posted on Sunday, 19 January 2014 by Karen Christopher

we asked for a 55-foot note and he complied

We said, answer the question: "what never stops?" We said, angular rhythm, something with a 55-foot note. We said, your idea. We said, a dialogue with contamination, with influence, with subsonic itch. We said, make it vibrate. Boris Hauf made some music for us and it is good.

Boris Hauf designed music for Control Signal listen here: TOPSY hear him live at the performances in Bristol or London.

photo: Jemima Yong

Tags: Wickham Theatre, University of Bristol, Jemima Yong, duet, Control Signal, Boris Hauf, Chelsea Theatre

Posted on Thursday, 26 September 2013 by Karen Christopher

and we worked a long time on something we had to throw away

Two of us alone in a room and we worked on it and we played with it and people came in and said things about it. And then the next week we knew it all had to change. So easy now to let it go. Last week it would have broken our hearts.

Photos: Jemima Yong

Tags: University of Winchester, Performing Arts, Sophie Grodin, Jemima Yong, FLINT, duet, Control Signal

Posted on Tuesday, 10 September 2013 by Karen Christopher

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